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The Culture Project

The American Culture News - Analysis - Criticism

     The answer to Eun-Mee's question about faking the emotion is that some days you do. Some days you mouth you Hail Marys while your mind skims over the plots of sitcoms seen ten years before. Some days the mass is a meditation on what light does to dust in the air. But you keep showing up. You play the Bach again, you write another paragraph, you repeat the prayer. You hold on to the form through the stretches when the content has vanished. You observe the mass in all its glorious dullness. You practice. And then, in a storm in the middle of the night, all of the love comes rushing back to you. There is no reason why it left or why is should return, but it does. You play like a girl reaching into her chest to show her own heart. I write with so much assurance I feel like I am simply copying it down from some other source. And the prayers that you say - suddenly they are the rope that binds you to God.
...
     Literature has a great tradition of brilliant, soulful atheists, but I think it has an even greater tradition of faith: Tolstoy and Dostoevsky, Eliot and Yeats, Graham Greene and Flannery O'Connor. What is writing, after all but the ability to believe in that which you cannot see, to in the end believe in it so completely that you see it everywhere? Every day that I write it is in this secret language of faith. I cannot imagine how I will get to the end of any novel I begin. I do not know who the charatcters will become. I do not know how they will travel through their stories, how they will manage the fates I dole out to them. I nave no idea if I will have the strength or courage to complete what I have started, but I am sure of my faith. It's a little like closing your eyes and stepping forward, one step and then another and another. It is trusting that I will be able to do this thing even when I don't understand exactly what it is I am doing.

-- Ann Patchett, "The Language of Faith," included in Bearing the Mystery: Twenty Years of Image

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The Glen Online

"The writer should never be afraid of staring. There is nothing that does not require his attention."
—Flannery O’Connor

Welcome to the Glen Online!

One of Image’s central missions is to emphasize the importance of craft, both as an end in itself and as a spiritual discipline—concerns that lie at the heart of our Glen Workshop program in Santa Fe. Every year nearly 200 people gather at the Glen to work with some of the world’s finest writers and artists to hone both craft and vision.

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